surprise face #pollyfern #ceramics #illustration #paperresist A post shared by Polly Fern (@pollyfern) on Apr 25, 2016 at 10:40am PDT In this video, we see Polly Fern from PollyFern showing how paper resists works. Polly is an illustrator, ceramicist, and canary keeper in the Uk whose work focuses on characters
Double dipping a larger bowl. I use the knife to help get the excess glaze out of this form. My carpal tunnel and ulnar nerve issues make it painful to “tilt” the piece all the way. I came up with this solution in a dream I had. It works well.
glazing a 28″ tall vase?#potterymaking #potteryvideos #bigpot #pottery #ceramics #clay #glazing A post shared by Don & Cristina (@fishpaint5) on Apr 22, 2017 at 8:49pm PDT In this video, we see Don from FishPaint5 demonstrating how to easily glaze a long piece. Don is a teacher of ceramics and his
Patricia Bridges of Bridges Pottery shows us how to use a “Glaze Sprayer” or “Atomizer Sprayer” to decorate your ceramics with glaze. This is a great way to build up different layers and different patterns of glaze. Its fun to try out and experiment with, and can help give you a unique style.
Amaco Glazes: Which Amaco Glaze is the best fit for you & your work? Discover the whole range of Amaco Glazes here.
John Britt explains Deflocculated and Flocculated Glazes in this video below. Equipment you need: Epsom Salt Bentonite CMC Sodium Silicate
Electric Kilns: What is an electric kiln? Why should you buy an electric kiln? What types of electric kilns are there, and which kind of electric kiln is right for you?
Fountain Glazers: What are Fountain Glazers? How do Fountain Glazers work? How can you make your own Fountain Glazer? Find out here!
DIY Raku Kiln: How to make a DIY Raku Kiln. Follow this simple 8 step process to make your own DIY Raku Kiln.
Hsin–Chuen Lin starts with a lump of clay and some sodium silicate… 20 minutes later? I really want to try this! In this video, Hsin–Chuen Lin demonstrates
Explore the Different Ways you Can Apply Your Glaze to your Ceramics!
Having your work dry out too soon is a challenge that potters can face in the studio if they are unprepared and do not have
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