Details

First Name

Robin

Last Name

Gary

Nickname

robincreativekilnworks-com

Social Media

My Ceramics

In the studio I like to do

Handbuilding, Throwing on the Wheel, Sculpting

Pottery Wheel

Brent

Clay body

Stoneware

Clay Brand

Aardvark and Armadillo Clay and Standard Clay

Kiln Type

Electric Kiln, Raku Kiln

Kiln Atmosphere

Reduction Atmosphere, Oxidation Atmosphere

Temperature

Generally Cone 6 and Raku Cone 06

Glaze

I use the studio glazes I make.

You can buy my work from

Art for the People Gallery,
1711 South 1st Street,
Austin Tx 78704

Etsy:
https://www.etsy.com/shop/SmilingRobin

About Me

Introduction

My name is Robin Gary. I live just outside of Austin, Tx. I’m from Los Angeles and was talked out of being an artist as I entered university. HAH! I was a software engineer for 20 years before I came back to art full time. I work in clay and mixed media as a sculptor and potter. I work and teach in several community studios. I’m interested in just about everything but focus on, …. well…everything… I do love glaze chemistry and sculpting most of all…

What I Love about Ceramics

Color! Infinite choices and infinite surprises

Sculpting is relatively forgiving and gives quick rewards.

Texture: Visual or physical.

The people: Creativity, kindness and open arms all around.

How I started with ceramics

Sister Mary St. Ann at my high school gave me my first clay lesson. It was love on the spot.

What inspires me

Everything inspires me from clouds in the sky to railroad tracks running through flatlands; animals, words, nature, other artists’ works.

What I'm working on at the moment

I’m prepping for holiday sales and shows. Teaching regularly again soon.  I hope to make use of what I learn in the MBA during early next year to rejuvenate my online sales.

My Artist Statement

I create colorful, rustic functional ware and mixed-media sculpture. Clay, glass, neon, and found objects provide a never-ending toy box of creative fun for my sculptures. As a technique junkie, the daily choices I make in my studio are to produce a piece out of feeling or out of fun; out of knowledge or out of experiment; out of self or out of someone else’s self; and on it continues. Combining years of experience and artistic pursuit, I want to draw the viewer into thought, to feel uncomfortable tensions, to question the basis of happier moments, and to weigh mysterious beliefs. And, of course, I want the viewer to WANT to touch.

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