My work seeks to combine figurative imagery with the format of the traditional clay vessel.  The vessel has historically been a powerful metaphor for the body, with each part of the pot being named for the corresponding area of the body.  A full lip, a gentle curve of the neck, a rotund belly or a broad shoulder all combine to provide animation to the pot.  Some of my shapes are predominantly male, some are a synthesis of male and female but most are female forms inspired by fertility figures found in most early cultures.  The Venus of Willendorf and the stone carvings of the Cycladic culture are some of the most powerful to me.  My most recent work strives toward an elegant organic form, one that is obviously a hand-made object but has an internal natural order.