My practice explores material, memory, and cultural identity through stoneware and earthenware. Drawing from my Indian heritage and life in Singapore, I reflect on how heritage and place shape my formal and surface language.
With a background in textile design, I work with sensitivity to pattern, repetition, and tactility. Surface and texture emerge through process, reflecting my interest in rhythm and material language. The transformation of clay through forming and firing echoes natural cycles of change.
My work spans functional ware, sculptural and Conceptual forms, and community-based installations, grounded in the dialogue between hand and material. Through both making and teaching, I honour clay as an inclusive medium that fosters reflection, connection, and shared cultural expression.
